Opera baritone relishes brief role as Aida’s father

Quinn Kelsey’s character doesn’t even arrive until late in Act 2 of “Aida,” and he’s killed shortly after the end of Act 3. Yet in his brief time onstage he turns the drama on its head. “My part definitely puts a nice little wrench into things,” said the Hawaiian baritone, who is appearing at the Metropolitan Opera in a revival of Verdi’s opera.

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